This site is designed so that its contents are accessible to every type of browser. You browser, however, may not support basic Web standards, preventing the display of our site's design details. You are encouraged to upgrade to a more standards compliant browser.

Search: Advanced Search
HomeSearchGetRecordMichael Heming Collection (1935-1963)

Collection Description

Collection Title
Michael Heming Collection (1935-1963)
A collection of one album concerning the life and music of Michael Heming, from 1935 to 1963.

Michael Heming was killed at El Alamein in 1942, aged 22. He was a student at the Royal Academy of Music – though this is occasionally wrongly cited as the Royal College of Music. He was studying conducting, and was to have been a student-assistant of John Barbirolli had Heming have survived the war. The majority of materials in the collection concern performances of a piece entitled “Threnody for a Soldier killed in action”. This was created from fragments written by Heming on his journey to Africa. The fragments were sent to Barbirolli after Heming’s death, who engaged the composer Anthony Collins to complete it.

The majority of programmes are from performances of the threnody in 1944 and 1945. The collection includes a programme from the premiere of the piece, which took place at City Hall, Sheffield, on 14th January 1944. Barbirolli conducted the Hallé orchestra. The early performances of the piece were also played by the same forces; later performances were given by a wide array of performing groups, including many non-British orchestras. The programmes frequently chart the compositional history of the piece, as well as a short biography of Michael Heming.

Programmes from 1944, took place at the following venues: City Hall, Sheffield; Longford Theatre, Stretford; New Opera House, Blackpool; Chester Cathedral; Teatro S Carlo, Naples (2 programmes from separate performances). Programmes from 1945 took place at the following venues: Civic Hall, Croydon [assumed 1945]; Teatro N. Piccinni, Bari [undated, probably 1945]; Assembly Hall, Walthamstow [assumed 1945]; Pedrotti Hall Conservatorio Rossini, Pesaro; Royal Opera House; Philharmonic Hall, Liverpool (2 programmes); Royal Albert Hall (2 programmes); Cambridge Theatre; St. Paul’s Cathedral (2 programmes - thanksgiving service for the end of World War 2; Royal Artillery memorial service); Opera House, Manchester; Series of concerts in an unspecified London venue; Palladium Theatre, Ancona [Italy]; Usher Hall; Herodou tou Atticou Odeon [concert given by the Athens State Orchestra]; Odeon Theatre, Barnet. Programmes from 1946 took place at the following venues: Town Hall, Birmingham; Unspecified venue in Athens; Ohel Hall, Tel-Aviv; Central Hall, London [possibly a mistake, and may mean Central Hall, Westminster]; Unspecified venue, given by the Arnhem Orchestra (=Arnhemsche Orkest-Vereeniging). There are also programmes from the 1950s and 1960s from the following venues: Borough Hall, Greenwich (1950); Royal Academy of Music (1951 - commemoration concert to those members of the Academy who died in World War Two); Royal Festival Hall (1956); Colston Hall (1957); White Rock Pavilion, Hastings (1963). In addition, there are additional venues for which there is a press cutting but no corresponding programme.

There are also two programmes from school concerts given at Haileybury College. These both feature Michael Heming in ensembles. In the first he is part of the school choir; in the second he is listed as playing the timpani, as well as orchestra librarian. The first of these programmes appears to date from 1935, and the other is from 1936. The 1935 programme included Percy Heming as bass soloist: Percy Heming was the father of Michael Heming, and a professional opera principal.

In addition to programmes, the collection includes a number of other ephemeral items. There are numerous press cuttings announcing the death of Michael Heming, as well as a few Royal Academy of Music publications which discuss him. There are numerous press cuttings both reviewing and previewing performances of the Threnody. The collection also contains correspondence – usually directed to Percy Heming concerning the threndoy – as well as a military photograph of Michael Heming.

The programmes are arranged chronologically. Other ephemeral material is largely kept with the programmes, forming one chronological sequence. Some miscellaneous items appear at the end of the album.
Date range of collection
1935 - 1963
Accumulation Dates
Suggested Audience
Not Specific

Location Details

Royal Academy of Music, Library
Marylebone Road London NW1 5HT
Open Map
020 7873 7323
020 7873 7322
Visiting Information
Term-Time Opening Hours: Monday to Friday: 9.00–18.00 Saturdays: 9.00–12.00 (Junior Academy terms only) Vacation hours vary and are advertised in the Library Information section in the on-line Unicorn Catalogue.
Collections Overview
Books; printed music; sound recordings; choral sets; orchestral sets; manuscripts; early printed music & books; undergraduate & research
For details of other collections held at the same location: See the location record

Additional Collection Information

Accrual Status
Related Publications
Management Information (Type)
Collection Owner(s)
Collection Creator(s)
Collection Collector(s)
Collection Custodians(s)
Associated Collection(s)
Cardif University (Prifysgol Caerdydd)Royal College of Music LondonMuseums, Libraries and Archives Council